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10 Famous Buddhist Temple in The World

Buddhism takes as its goal the escape from suffering and from the cycle of rebirth: the attainment of nirvana. There are between 230 million and 500 million Buddhists worldwide. An overview of the most famous Buddhist temples in the world.

Dragon Village at Tasikmalaya, West Java

If you are tired of life in a metropolitan city with its sky scrapers, you should take a few days off to stay in the Dragon village within Neglasari village, Salawu sub-district, Tasikmalaya, West Java. This 1.5 hectares village is still 'green' and not influenced by modernization..

Exotic Dieng Plateau

The name ‘dieng’ which literally translates as ‘abode of the Gods’ says all you need to know about this collection small ancient temples set in the remarkable volcanic landscape of the Dieng Plateau.

Living in the shadow of Indonesia's volcanoes

All hell is about to break loose, but Udi, a 60-year-old farmer from the village of Kinarejo on the Indonesian island of Java, will not budge. Not even though a mere three miles (five kilometers) separates the smoldering peak of Mount Merapi from Kinarejo.

National Geographic : Merapi Eruption

Nationalgeographic.com Smoke rises Monday from Indonesia's Mount Merapi, one of the world's most volatile and dangerous volcanoes.

February 27, 2010

Every corner of this island offers breathtaking natural views

“ It’s all about rice you know. A constant cycle of planting, harvesting and maintaining the fields to secure a steady supply of food for every village “. This is what’s shaped the whole island according to Made Darmo, who is caught in the beautiful light of morning harnessing the power of his cows to turn another muddy mess into a field of dreams, and dreams it is without the blessing of Dewi, the rice goddess. It all looks idyllic but when you’re up to your knees in sticky mud, suddenly you appreciate the backbreaking work of people like Made Darmo.

Throughout Bali, the many temples, palaces and village are set in landscape that gives harmony and compliments their usage. From dramatic temples on cliff tops, offering beautiful sunset views to the vast stepped rice terraces with quite villages and farmers herding ducks, there are wonderful sights to behold wherever you travel in Bali.

For city dwellers it isn’t hard to be impressed when you set off to explore Bali, all you need to do is walk down to the beach in the morning and you are guaranteed a fabulous view, whether you are in Seminyak, Nusa Dua, Sanur or Lovina, the sea views are marvelous.

But as you venture into the interior which is dominated by immense, extinct volcanoes, you discover that ‘dramatic’ is an inadequate word to describe the subject!

The terraced rice fields are a testimony to generations of farmers carefully building and creating the landscape. The steep ravines which follow the rivers down from the mountains are lush and cool. The village streets are in carved stone, with temples around every corner and in everyone’s house compound.

This is a photographer’s paradise, from the stark beauty of west Bali’ mountains, to the eternal majesty of Uluwatu’s stunning cliffs. So don’t just roar though the countryside to reach your goal: stop and enjoy everyviews.

February 22, 2010

Ubud to Host Bali Spirit Festival 2010

Bali Spirit Festival returns to hillside community of Ubud for its third year on March 31st, 2010 to April 4th, 2010. It is a spiritually charged event that celebrates yoga, dance and music and the synergy of global cultural collaboration through the arts.

Held over 4 days and 5 nights, this annual celebration brings to Bali a wealth of talented and respected creative masters from around the world, merging the indigenous and rich cultures of Indonesia in the spirit of learning, collaboration and the celebration of our creative and spiritual diversity.

The Bali Spirit Festival combines over 95 inspiring yoga, dance, and music workshops with nightly world music concerts to an enthusiastic audience of over 4,500 people.

The majestic outdoor festival grounds are located just outside of Ubud, Bali on sprawling green lawns with a blessed river flowing through.

The festival grounds truly embody the spirit of Bali.

We are honored to invite you to join this incredible community. Rejuvenate yourself to the World retreat with Bali Spirit Festival!

Source: www.balispiritfestival.com

February 17, 2010

Taiwan – ICE 2010: Komodo Island is the Most Hidden Treasure of Indonesia

The NTUST Indonesian Student Association welcomes you to indulge in the flavors of uniqueness culture of Indonesia in Indonesian Culture Exhibition (ICE) 2010, which will be taking place on March 11th, 2010 to March 12th, 2010 at the First Floor of NTUST International Building, Taiwan.

By seizing this year’s theme, “The Hidden Treasure of Indonesia” Indonesian Culture Exhibition (ICE) 2010 will allow you to reveal wonderful Indonesia through spectacular Indonesian traditional dances, extensive exhibit of arts and traditional games, exotic site introduction, and delightful Indonesian Food.

Indonesian Culture Exhibition (ICE) 2010 will also lead you to find the most hidden treasure of Indonesia in the special zone Komodo Island as the New7Wonders of the World. Here, you will not only get the insightful info about Komodo Island but you can also give your contribution by voting Komodo Island as the New7Wonders of the world.

Cherish yourself to be involved actively by trying traditional games offered and three kinds of those traditional games such as bakiak games, puzzle of Indonesia archipelago and games 17-Agustusan (Indonesian celebration games) will be competed in the second day.

Do not miss an outstanding performance of Indonesian students who will be performing drama, custom built form Java, traditional dancing, and live music of Indonesian traditional songs which represent Sumatra, Java, Borneo, Sulawesi and Papua on the last day event which are noteworthy to see.

So, what are you waiting for? Come rejoice yourself on Indonesian Culture Exhibition (ICE) 2010 and reveal the hidden treasure of Indonesia.

source: indonesia.travel

February 8, 2010

Bunaken Paradise

Ever fancy yourself being a mermaid? Being able to swim in tune with other creatures of the sea, flipping your bodies to the rhythm of the waves? In Bunaken Sea Park, you will encounter a real mermaid, and you can also view a glimpse of the sea life here.

Bunaken is an island of 8.08 km² at Manado Bay, situated in the north of Sulawesi Island, Indonesia. This Island is part of Manado city, the capital city of North Sulawesi, Indonesia. The Sea Park in Bunaken Island is as part of National Park of Old Manado Ocean.

In this Bunaken Sea Park, visitors can see various marine lives at the bottom of Bunaken Sea. To reach this park, you can go by sea transportation like motor boat. Visitors are charged 25,000 rupiahs per person for one visit. The trip to Bunaken Sea Park Location from Manado City takes 40 minutes by motor boat.

Translucent water of Bunaken sea enables people to view numerous sea biota clearly. There are 13 coral reefs in this park, dominated by edge ridges of rock and block ridges of rock. The most attractive view is the steep vertical sloppy coral reef as far as 25-50 meters high.

Feast your eyes with 91 fish types found in this Bunaken National Park, amongst other things locally known gusimi horse fish (Hippocampus), white oci (Seriola rivoliana), yellow-tail lolosi (Lutjanus kasmira), goropa (Ephinephelus spilotoceps and Pseudanthias hypselosoma), ila gasi (Scolopsis bilineatus) and so on.

Visitors may also meet with mollusk types like giant kima (Tridacna gigas), goat head (Cassis cornuta), nautilus (Nautilus pompillius) and tunikates/ascidian.

BunakenViewing the underwater lives might not be sufficient to quench your curiousity. Especially when you are on land and the marine beings appear to be out of reach. For those who enjoy scuba diving, this is the great place to do so. With about 20 diving spots to choose from, divers will have the chance to swim under the sea, and frolick joyfully while admiring the sea creatures.

Make sure to visit Bunaken during its highlight season in May to August. That way you can explore this place to the fullest.

Getting There

Bunaken IslandBunaken Island is easily reached from Manado by motorized outrigger boat, departing from Manado harbor, Molas, Kalasey and Tasik Ria beaches. The public boats from Manado to Bunaken are leaving daily around 2 p.m (depending on tide), except Sundays, from Pasar Jengki near Manado harbor. Back from Bunaken to Manado usually early in the morning, around 7-8 a.m

There are also chartered boats scheduled to depart in the morning and return in the late afternoon. These are usually reserved for travel packages offered by agents or even hotels.

Getting Around

You can explore the land on foot. And you can use a boat to move from one dive site to other sites. Even walking around the beach is already an enjoyable experience.

To Do

BunakenMost diving takes place near Bunaken and Manado Tua, because of their many excellent sites. The following is representative of the diving in the area.

Lekuan Walls (I, II, III)
This long wall on Bunaken is divided into three sites: Lekuan I, II and III. Together they represent the park's best. Steep walls are marked with deep crevices, sea fans and giant sponges. The shallows are filled with fishes. The wall, often protected from stronger currents, is frequented by bumphead parrotfish, turtles, and Napoleon wrasses.

Mandolin
Mandolin has a knockout reef crest and a wall that attracts thousands of fishes like schooling fusiliers, surgeonfish, unicornfish, and bannerfish. They are acclimated to divers and are easily approachable.

Bunaken Timor
There are strong currents and lots of fishes on this long wall. The shallow reef isn't as spectacular as some but there are turtles, sharks, eagle rays, and other big fishes in the blue. Overhangs and small caves mark the wall.

Tanjung Kopi
Tanjung Kopi is a nice wall with a small school of barracuda and lots of sweetlips. Visibility in the shallows is not terrific but the numbers of fishes make up for it. Nudibranches and fire gobies are easy to spot here.

Siladen Island
Siladen has a beautiful wall of soft corals that bloom when the current is running. The shallows are nice with lots of fishes and schooling snappers.

Muka Gereja
Muka Gereja is a pretty site with thousands of fishes in the shallows and deeper canyons that lead to the wall.


Barracuda Point
Barracuda Point, on northwest Montehage, is one of the furthest sites. A school of giant barracuda are regulars along with jacks and tuna.

Manado Wreck
This 60m (200ft) long German merchant ship sank near Molas Beach in 1942. It sits upright with the bow at 23m (78ft). The ship is split near amidships back to the stern, exposing the wheelhouse and cargo holds. Dives finish up on a nearby shallow reef. Expect 10-15m (30-50ft) visibility.


Other than diving-enthusiasts, ornithologists and amateur bird-watchers might find visiting Tangkoko Dua Sudara Nature Reserve entertaining.

To Stay

On the island you have the choice amongst a number of homestays, with rates starting at Rp40,000 for one person a day, including full board. Some of the dive operators on Bunaken are offering more upmarket accommodation, including running water.

You can also stay in the hotels in Manado and then book a daily package to Bunaken, usually leaving in the morning and returning in the late afternoon. See our Travel Directory for starred hotels in Manado (North Sulawesi --> Kota Manado)

To Eat

There are several of restaurants and cafes throughout Manado and the islands. Try their specialties: seafood, bubur manado and food made of coconuts!

To Buy

Sea-related products, such as items made of seashells, corals, etc. The city of Manado also has many kinds of souvenirs to bring back home, such as signature food, shirts, cloths, handicrafts and trinkets.

Tips

Entrance tags and tickets can be purchased through marine tourism operators based in Manado and in the Bunaken National Park, or can be purchased from one of three ticket counters in Bunaken and Liang villages on Bunaken Island and on Siladen Island.

You should be aware that during the absolute peak season months July and August it usually gets VERY busy. Many of the better resorts and dive operators will not be able to accept walk-ins during that time since they are fully booked. Better make a reservation before.

Try to hire equipment from larger firms as these tend to be more reliable, but remember: the responsibility of checking the equipment is ultimately yours.

If you're the more adventurous type, you can try diving in Raja Ampat and Wayag Island.

February 2, 2010

The Search For God through Art Group Expression

A cultural event initiated by the Jakarta Art Movement (JAM) conveys themes of spiritualism in an urban community

Man and The Racing

This February, the Jakarta Art Movement (JAM), an art community initiated by groups of artists and curators in Jakarta, is cooperating with the Indonesian National Gallery to present an art exhibit entitled “The Second God”, which will also feature a seminar and workshop.

The JAM community, which comprises 15 groups and over a hundred individuals, consists of painters, sculptors, architects, illustrators, installation artists, graphic artists, photographers, film makers, video artists, fashion designers, interior designers, and digital graphic artists from Jakarta, Bogor and Tangerang.

Some of the members also work in the formal sector as executives, accountants, secretaries, or in other jobs not directly associated with art. Through group dynamics and interaction with the curators who presented the exhibition topic, they discussed and responded to the topic. The final output was produced by the artist groups, in a wide variety of forms.

The topics in this exhibition depart from issues in urban society - idols in the urban world and the quest for God, categorized into three zones, each packaged in a major theme - “The Second God”; “Art Today”; and “Technology, Human Identity and Spirituality.”

Welcome To The Abyss.

The artists in JAM uphold the credo that art is open and liberating, multidisciplinary, and diverse. Art works should be produced through an aesthetic built from interaction and dynamics within the group. In creating their works, they respond to, and collaborate with, one another.

For example, consider the artist and architect Ario and the Ario group from Tarumanagara University, and their work entitled “Cyborg Worship”. They chose to enter the first category/ zone in the exhibition, dealing with technology. Ario built a female robot using the approach of creating a sculpture, while robot builders in the group from the Tarumanagara University Robot Laboratory helped with the technical aspect.

They comment cynically through this work by creating a mystical altar for worship of machines and robots as a symbol of humankind’s domination of nature – or is it the machines that are dominating both nature and humankind? This is a very elegantly constructed collaboration.

We also see the Ancol Plus group, consisting of Kadi, Arifin, Aung and Sapon, who also chose to place their group’s expression in the technology zone, with the title “Welcome To The Abyss”. They painted - on the floor of the National Gallery – images of cliffs and gullies, full of technological instruments such as computer machinery and complex chips.

These artists are seeking to convey the criticism that humans nowadays no longer believe that anything is created by nature, but rather that everything is created by humans themselves. This work is unique, because the painting is enormous, 13 meters by 8 meters, and when seen from certain angles it appears to be entirely real. In the West, this type of work is referred to as 3D illusionist painting.

In God We Trust.

Another group, Keiza and Friends, which comprises a fashion designer, a photographer, a video artist, a model, a choreographer and a graphic designer, criticizes human behavior and humanity’s creations in zone B: human identity. They produce clothing designs made from eletronic waste and the trash generated by human consumption, especially plastic and metal, as a special carnival and performance art that raises the issues of humankind and its ambiguity.

In another group we see Tiga De Studio, a collaboration between graphic artist Nanda and Hery, an installation artist, with a work entitled “In God We Trust”. They chose zone C, the search for spirituality in this century. These artists have built giant letters and life-sized dolls, which will be placed in the front courtyard and terrace of the National Gallery.

Meanwhile, the group Tato and Agus present a work entitled “Man and The Racing”, which combines painting, digital photography, video art and sculpture. They believe that humankind has already met its fate of competing with the machines that it has created, and that human civilization is built upon servitude to technology. This work, 12 meters by 5 meters, will be placed in Hall A of the Indonesian National Gallery in the first zone/ category.

This exhibition aims to present new ideas, especially about group expression and the diversity of art. The show is also a cultural statement and reflection on society in Jakarta, with plans to include a seminar featuring experts from diverse fields such as doctors of information technology, experts on art in urban zones, doctors of sociology and philosophy, practitioners of spiritual paths and students of religious practices in urban society.

source: garudamagazine

January 7, 2010

Komodo A warehouse of unusual sea creatures

Komodo National Park lies along the Sape Strait separating Sumbawa in the east from Flores in the west. To the north is the Flores Sea, and to
the south, the Sawu Sea and Sumba Strait.

Komodo’s marine life is diverse and extraordinary.

The tidal difference between these seas creates very strong currents in the waters of Komodo. These strong currents are rich in nutrients, supporting a marine habitat home to over 1000 fish species, 260 species of reef coral, and marine mammals such as dolphins and whales.

Komodo is known as a good place to spot sharks, turtles, and manta rays. From June to September, the water temperature gets quite low, ranging between 20 and 26 degrees Celsius.

Komodo is also famous as a “warehouse” of unusual sea creatures: leaf fish, frog fish, sea apples, nudibranchs, and various types of rhinopias. To see these rare creatures, you need to spend some time diving south of Pulau Rinca, near Nusa Kode and Cannibal Rock. You can get to these locations by taking a two- to three-hour boat ride from Labuan Bajo, but the most efficient way is to use a “liveaboard” facility.

With its tremendous diversity and abundance of extraordinary marine life, Komodo certainly deserves to be acknowledged as a world heritage site worthy of protection. Komodo is currently a strong contender to be chosen one of the New 7 Wonders of Nature.

Castle Rock and Crystal Rock are two favorite diving spots, located opposite one another. It took us around an hour to get there from Labuan Bajo. Approaching Castle Rock, we could see rocks and reefs protruding through the water surface. This location is a submerged reef north of Pulau Komodo. Various small craft, including rubber boats, were floating around the area, accompanying divers who had arrived from nearby liveaboards.

Underwater scenery of Komodo.

Our first dive was down to a depth of around 15 meters; we saw dense clusters of colorful corals. The current was swift, but not too strong to swim against. Sea fans attracted our attention; we stopped to photograph them. Huge schools of red and orange anthias played around the corals. It was a challenging dive, but well worth it; the underwater views were spectacularly colorful. It’s no wonder that Castle Rock and Crystal Rock are favorites with divers.

Another popular location is Batu Bolong, recognizable from a cluster of rocks rising from the water’s surface, one with a large hole in it. When diving at this sport, you need to pay careful attention to the currents, which can easily pull you in the wrong direction. In this dive, we were again treated to views of fairly dense coral structures, with no significant noticeable damage. We also encountered an unusual underwater structure with several gaps forming small valleys, though most of the seabed contour is dominated by steep slopes. We came across several whitetip sharks that seemed to be quite interested in us.

The underwater beauty of Komodo has been known since the early 1990, before West Manggarai Regency was formed. Because the infrastructure on the nearby islands of Komodo and Rinca was so basic, the most convenient way to visit Komodo then was to take a “liveaboard” from Bali.

Taman Komodo’s underwater wealth.

These liveaboard boats take tourists to explore the islands around Komodo and provide complete diving facilities. Since 2003, West Manggarai has been a separate province, split off from Manggarai Regency, and since that time Labuan Bajo, the chief city of West Manggarai, has been developing itself. There are now regular direct flights between Bali and Labuan Bajo, taking a little over an hour from Denpasar. Accommodations have also sprung up along the beaches of Labuan Bajo - everything from simple losmen to star-rated resorts.
In addition to these lodgings, Labuan Bajo has also now become a base for liveaboards, which previously departed only from Bali. Diving facilities have also become quite easy to find; the dive centers work with the liveaboards and resorts to accommodate their guests.

Many restaurants and small bars have also sprung up between the larger buildings in Labuan Bajo.

So now you have two options to explore the underwater beauty of Komodo – liveaboard or land-based.

In the liveaboard option, you stay, eat and perform all your activities on the boat and sail directly to the spots where you want to dive or to enjoy the spectacular views of Komodo. If you like your adventure experience efficient, a liveaboard is the right choice for you. If, on the other hand, you tend to get seasick, or enjoy sightseeing and meeting the local people, land-based facilities are probably more suitable.

Komodo is full of well-known dive spots: Chrystal Rock, Shotgun Channel, Batu Bolong, Pink Beach, Tatawa Besar and Tatawa Kecil, Nusa Kode, Cannibal Rock, Padar, and of course Manta Alley, where you can see schools of manta rays very easily. You can reach most of these locations in one to two-and-a-half hours (one way) by taking a 200-hp speedboat from Labuan Bajo (depending on weather conditions). Tourists entering the Komodo National Park area are required to pay a conservation fee of US$15–US$45 for foreign tourists or Rp 75,000–Rp 225,000 for local tourists, with the amount based on how long you are staying.

December 23, 2009

The Great Wall of Bromo

Text and Photos by Teguh Sudarisman

There's no such thing as a bad day to visit Bromo. Even when it's cloudy and raining, it displays another side of its beauty.

bromo

Since mid-day yesterday, even before we set foot in Ngadas village, heavy rain, strong winds and fog have been here to greet us. The trees seem like black shadows wreathed in white fog, as do the terraced rice fields on either side of the village road.

"When the weather is clear, the view here is magnificent," says Purnawan, a lecturer and researcher on the Tengger community, who is accompanying us to Ngadas.

Our destination is Segara Wedi Anakan – the upper "sea of sand" – located to the south of and–next to Bromo's crater. Until recently, most people only knew about the sea of sand below Mount Bromo. Ngadas (2,140 meters above sea level), the highest inhabited village in Java and located within Bromo-Tengger-Semeru National Park, is our base camp.

This very morning, we canceled our plan to see the sunrise over Bromo from the south, because of the relentless rain and fog. Our plan to find Segara Wedi Anakan also seems rather uncertain. And the weather has been like this for ten days now. Some of the villagers on the west slope of the Tengger Range have resumed their activities, but most are wrapped in sarongs and shivering with cold – which seems odd to me, since they've lived here for generations.

Someone suggests that we pay a visit to Pak Ngatrulin, the dukun (traditional leader) of Desa Ngadas. "Why not request help from Pak Untung, the local pawang hujan (rain control expert)?" he advised us. When we ask Pak Mulyadi, former village head of Ngadas, park ranger, and the owner of the house where we are staying, he takes us there.

Pak Untung is sleeping when we arrive. He grumbles when his wife awakens him. "If you need help now, why didn't you tell me yesterday?" He's a big guy, with a fierce face and hair, rather intimidating; we say nothing. But he doesn't seem angry. He brings out his cigarettes and squats out in the front yard; we see his mouth uttering a mantra, and his eyes staring far off into the sky. The ritual ends after about five minutes.

He doesn't object when Pak Mulyadi asks him to bring out his "pets" – masks of a tiger, white leopard, cow, white ape, and buffalo, and a–kuda lumping (flat horse image) and its whip. Pak Untung is a pawang of Bantengan, a traditional Tenggerese art form. He tells us that each mask has a penunggu (inhabiting spirit) which needs to be regularly fed with incense and various offerings, so that whoever wears it is not possessed.

bromo

It's still cloudy when the five of us set out for Gunung Bromo. Apart from myself, Arif the photographer, Purnawan, and Pak Mulyadi, we have hired as our guide Pak Puliono, a native Tenggerese who spends his days gathering wild mushrooms and medicinal plants in the Tengger Mountains. Only he knows the route to Segara Wedi Anakan.

As soon as we set out down the hill, the weather clears; the grassy plains in the valley between Gunung Kursi and Gunung Jantur start to show green, and the small hills below, often called the "Teletubbies", are bathed in golden sunlight. We can clearly see the concrete road through the fields, which later becomes a dirt road heading toward the lower sand dunes. "Hmm, it seems Pak Untung does have the power," Arif chuckles.

Though the summit of Mount Jantur is still blanketed with fog, the landscape here is truly extraordinary. The mountain is composed of vertical layers of stone. In contrast, Mount Kursi, with its long, flat summit, is covered with knee-high elephant grass and ferns, fennel plants with yellow flowers, purple-flowered trasinan, and occasionally tiny edelweiss.

"Why don't we just climb Gunung Kursi? Isn't Segara Wedi Anakan behind this mountain?" I ask. Pak Puliono shakes his head.""The route from here is too far and too steep, and on the other side of this mountain, we'd have to climb another. It's much easier to take the Bromo stairs." I look again at my Google Earth printout of Bromo, and he's right.

The four-wheel-drive Jeep driven by Pak Mulyadi cuts through the grassy fields, follows a sandy road with the odd rain puddle, and finally comes to a plain entirely covered in sand; the lower sea of sand. We see Bromo emitting white, sulfurous smoke to our left, and the hills below it covered in a silvery color – ash from the recent eruption.

The weather turns overcast again, and fog and sulfurous fumes from the crater greet us when we arrive at the bottom of the natural stairway to the peak of Bromo (elev. 2,229 meters).

We're all coughing; we cover our mouths with handkerchiefs, which unfortunately don't help much, because if you breathe through your mouth, the fumes still get in and make you cough. We climb the stairs – it is said there are 249 of them – and we see who we have left behind: Purnawan. Although he regularly visits Tengger for research, it seems breathing sulfur fumes is a new experience for him.

When we get to the top of the stairway at the rim of the crater, we take the route to the left. "You can also turn right, but the terrain is more difficult," says Puliono, now 53, who has been exploring Tengger since he was 17.

bromo

We walk along the crater rim. The right side has a fence, but the left is an open ravine. Visibility is only about ten meters, and the crater rim itself is only two or three meters wide, so we have to walk very cautiously. Pak Puliono is in the lead, I'm right behind him, then Arif, Purnawan, and Pak Mulyadi taking up the rear. Pak Puliono strides quickly ahead of us; several times I have to shout to him to wait up.

After walking only about 50 meters, I stop suddenly. The fence along our right has just ended, and the completely fenceless path ahead of me vanishes in the fog. So should I keep going or not? There's also a strong wind from the right. I wait and shout "woooii" several times. I hear a reply from behind me, and then they emerge from the mists. We can faintly see Pak Puliono in the distance, carrying our supplies on a pole across his shoulders.

So we continue walking slowly along the crater rim. Breathing becomes more difficult, as we're climbing a small hill and the sulfur fumes are still bothering us. The wind and fog bring an occasional drizzle, and we have to keep shouting to each other whenever we get separated in the thick fog. Despite my anxiety, I think how great is God, who created this Tengger caldera. Probably if the weather were clear, we would get a much nicer view from here. But even in these foggy conditions, the seemingly endless trail, the crater, and the ravine cloaked in silver present a stunning panorama. '"It feels like we're walking on top of the Great Wall of China," says Arif.

Then the wind helps us; the smell of the sulfur fumes suddenly vanishes, as does the thick fog covering the trail. On our right stretches the vast crater of Bromo, with many fissures emitting white sulfurous smoke.

We climb again, stopping frequently to drink and catch our breath. Purnawan, holding his knees, groans, "Is it much farther?" Pak Puliono, who hasn't even taken a sip of water the whole time, simply smiles. "It's close, just one more hill."

Well, what's "close" for him is far for us, and this last hill is the highest yet. We get split up, and Purnawan falls behind. Puliono is calmly squatting at the summit, watching us climb up one by one. "Come on, this is the last safe spot!" he shouts from above.

"After that?" Arif asks.

"Not safe any more. Hahaha!"

bromo

Eventually, we all gather at the highest peak (elev. 2,354 meters), a three-way junction. From here, there's a path on the left that rises slightly, and one to the right that's a sharp descent. It starts to drizzle again and we all put on our raincoats. But which way is Segara Wedi Anakan? "Over there, below us," says Pak Puliono, pointing to a wide valley before us, completely white with fog. "All we do now is go down to the right, just about one more kilometer."

We're flabbergasted. Going down shouldn't be too bad, but coming up again? And with this rain and fog, will we even be able to see the sea of sand?

The rain and wind get stronger, and we decide that this is far enough. "At least we now know the way to the upper sea of sand," Purnawan says to console me. And we have to proceed very carefully on our walk back down, with the rain beating on our backs.

Getting to Bromo from Malang
The Malang-Tumpang-Gubugklakah-Ngadas-Bromo route is an option worth trying. It's more challenging, but also more interesting than the Surabaya-Pasuruan-Wonokitri-Bromo route or the Surabaya-Probolinggo-Sukapura-Cemara Lawang-Bromo route.

From Ngadas, we enter the Bromo area from the south. From Ngadas, you can also head toward Ranupani, the gateway for climbing Gunung Semeru from the north. The road to Ngadas and Bromo is poured concrete, and requires a four-wheel-drive vehicle with an experienced driver. It's recommended to get a local Tengger resident to drive, or try to find a driver in Tumpang. Contact Purnawan (0341-5406678, purnawan_dn@yahoo.co.id) or Mulyadi Bromo Putro (0341-9731001).

Garuda flies to Surabaya 108 times a week.


Source: Garuda Indonesia Magazine

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